Olivier Messiaen (1908-1992) and Alexander Scriabin (1872-1915) belong not only to the most important composers for the piano and to the most influential on the
music of the 20th century. They are also known for their ability to see colours while hearing music (a rare condition called ‘synaesthesia’) and for their artistic attempts to merge music with
However, until now Messiaen’s and Scriabin’s synaesthetic concepts in their piano compositions have not gained much attention. In addition to the lack of satisfying and feasible technical implementations in the past century, their colour-music ideas further were often regarded as something exceptional, as an idiosyncrasy of somewhat eccentric personalities. This is surprising, given that both composers regarded the additional dimension of colour as essential for their work – Messiaen even reported to compose sounds according to ‘their colours’…
While some orchestral works by Messiaen and Scriabin are occasionally performed with light installation, there were only a few similar projects which involved piano
compositions. I aspire to shed light on this music and to introduce Messiaen’s and Scriabin’s piano works and synaesthetic concepts to the concert audience. Currently I am working on a piano
recital format with their compositions accompanied by digital dynamic visualisations, projected on the screen behind the pianist. These visualisations are based on my musicological research and
created strictly according to composers’ descriptions.
Just in the spirit of the two composers, this artistically unique concert format is aimed at experiencing piano music in a more intense aesthetic way while involving both senses hearing and seeing.